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Going Deeper:

An Interview with Michelle Shocked

(return to part 1)

 

What were your college years like?

I ran away at 16, but I finished high school in Gilmer. For one semester I went to a junior college in Jacksonville, Texas. Then, I can't explain why, but I left a circumstance that was kind of nice - there was a scholarship program that covered housing and tuition, and I was a music major - and I don't remember anything about it, I don't even know whether I went to classes. I left and went to Dallas, where I worked 30 hours a week reading telegrams. After that I went to the University of Texas. It was time to pick a major, and it was then that my dad and I had one of those really important conversations. He said, "Whatever you learn in life, you always want to be able to communicate with people." So I chose communications. Typically at the University of Texas, when people go into communications, they're studying broadcast journalism. They had another communications degree that was for business majors. And way off in the corner they had this degree program called Oral Interpretation of Literature. I think of it as being between an English degree and a drama degree.

This was in the early '80s at the height of Reagan culture, and business schools were overcrowded. Everyone was treating college like it was a vocational school. Even then I knew that you didn't go to school to learn; you went to school to learn how to learn, and it was life itself that was going to teach you what you needed to know. So my approach to choosing a degree was to pick the most impractical thing I could, which was basically a degree as a poetry reader. And I've never seen a job ad for a poetry reader.

Earlier you spoke about experiencing the blues. What is a "blues" life?

I've heard very mundane definitions of a "blues" life, and I've experienced very poetic, almost mythological examples of it, so I would be hard-pressed to offer a single definition. I didn't know why, and I didn't know where, but I knew I had to make a journey, and it seemed like a constant leaping off into the unknown, like a free fall. But there's some peace when you actually get there, when you see where the journey was going. I don't know if that suffices as a definition of living the blues, but by now I've met a lot of living legends, and I'd probably use them a signposts for that definition. They just do what they do.

(continue to part 3)

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