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Interview with Alligator Records' Bruce Iglauer

(return to part 4)

 

Last question: Would you tell our readers how Alligator Records got its name?

When I'm listening to music I enjoy, particularly in my car, I have a tendency to play little drum parts by clicking my teeth together. And I can actually play different notes on my teeth; when I work at it I can play a full octave! My girlfriend at the time used to call me her "alligator" as a pet name: "Oh, you're my little Alligator ..."

So I thought, "Alligators are Southern, blues is Southern. Alligators are dangerous. I'm not very dangerous, but I've heard how hard it is to get those distributors to pay you, so I'd like them to think I'm dangerous." Plus, "Alligator" sounds a little like "Iglauer." Also, I thought that when the distributors were paying people, they probably went in alphabetical order, so I wanted to be in the A's.

When the logo was designed, the designer had all these pictures of alligators from National Geographic and he kept drawing very realistic alligators. And I kept saying, "No, I want it to be funnier, to be happier." And he said, "Oh, you want something like the crocodile from Peter Pan." And I said, "That's exactly what I want." And if you look at my logo, it's not a rip-off, but it's definitely inspired by that alligator with the clock in its stomach. I wanted it to look like it had just bitten the leg off of some non-paying distributor.

(Interview by Kenneth Bays, copyright 2002 Straight Up Inc.)

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